影片讲述了大熊猫福宝和饲养员的相遇和照顾、分手以及因福宝而感到幸福的的故事，期待通过电影给福宝粉丝们带来回忆，给饲养员们留下安慰和幸福。
在这部长篇纪录片中，导演崔镇成讲述了两名女大学生、一群记者和网络犯罪警察追捕“N 号房”（性剥削在线犯罪网络）的故事。这部电影取材于采访、档案、动画和情景重现，揭示了妇女和女孩如何被迫将自己的露骨材料上传到 电报聊天室，这些聊天室的头目会用加密货币向成千上万的用户收取费用。这是一个关于该地区最具破坏性的数字犯罪的故事，数字匿名的时代让其蓬勃发展，同时受害者开始发声，誓要将其摧毁。
作为SEVENTEEN在首尔世界杯体育场的首次演唱会而备受期待的
《BLACKPINK THE MOVIE》是BLACKPINK为纪念出道五周年而制作的电影，是YG重磅预告的五周年纪念“4+1 PROJECT”中的一环。 电影中加入了《THE SHOW》和《IN YOUR AREA》(2018年)演唱会上的5首实况歌曲，对BLACKPINK的热门歌曲舞台进行了重新编辑，以让观众们能够身临其境般地观看生动的现场演出。此外，还公开了一直未公开过的成员们的特别场面。 BLACKPINK自2016年8月出道以来，已成为国际明星，让我们一起来回顾BLACKPINK走过的旅程，并感受她们的无穷魅力。
韩国KBS电视台推出的这个纪录片共分七集，分别从人口、经济、外交军事、土地、文化、政治六个方面介绍中国发展现状。摄制组周游世界各国，以政府官员、研究学者、企业家及普通民众的视野，观察中国为世界带来的改变。也想让韩国更加了解自己周围的强大邻居及朋友。人口：十三亿人的力量在外国人眼中，中国这个“超级中国’，庞大的人口规模，是一种优势，更是一种威胁。经济：钱的力量超级中国，外汇储备绝对的1位，购入世界的矿山、企业、机场、港口外交军事：中国治世急剧的军费扩张，与美国的竞争，中国走向顶尖国家的雄心土地：文化：政治：
2014年4月16日，追踪世越号航线，对至今尚未查明的沉没原因进行了科学的分析与记录。对于事故发生时间的陈述，各自不同的记录以及消失的航迹，以乘客的采访和目击者的证词及专家咨询等为基础，重新组织了那天...
型男張東健親自介紹有多年歷史嘅世界著名書店，帶大家了解書店營運秘訣同各地方嘅文化趨勢，以4K視覺帶你環走中國、法國、日本同韓國，分享傳統書店獨有嘅價值！
崔真理即崔雪莉本名。《致真理》之前以《Persona:Sulli》(《Persona2》)而闻名,该片于2019年下半年进行拍摄,原定在2020年公开。《致真理》是五位导演以雪莉为灵感制作的五部短篇电...
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‘April.16, 2014. AM 08:48. Sewol Ferry sunk.’ Exploring what happened about diving bell, one of the biggest controversies after tragic event, the documentary tries to survive truth from burial by focusing ongoing course of media distortion and bureaucratic intervention in use of diving bell.
该纪录片讲述了非常敬爱韩国已故前总统朴正熙的人们，在得知朴正熙与陆英修的女儿朴槿惠令人震惊的弹劾事件后，他们混乱的世界... （SSK字幕组）
展现Super Junior的过去、现在、未来，出道至今最真实的故事。
这部纪录片讲述了两位韩国性少数人士的母亲为争取性少数平等权益而做出的抗争和她们理解孩子的心路历程：当Nabi的孩子Hankyeol向她出柜为非二元性别的跨儿（以及一名践行多角关系的无性恋者），Nabi试图理解孩子的身份以及ta面对的困难；Vivian的儿子Yejoon向她出柜为男同性恋之后，她从不知所措到逐渐接纳儿子的性取向，并最终决定以自己的实际行动去支持他，让更多拥有类似经历的人生活在一个更包容的社会。
《Log in Belgium》是因为疫情被困在比利时安特卫普陌生酒店里的演员刘台午，通过电影这感性相通的假想世界寻找真正刘台午的私密记录。刘台午全程参与了企划、制作、剧本、导演、拍摄、剪辑以及音乐工作，本片采用100%智能手机拍摄。
This film begins with a photo of an armed civilian in Gwangju in May 1980. Mr. Ji Man-won, a conservative commentator, claimed the North Korean military intervened in the May 18 Gwangju Democratic Movement. According to Mr. Ji, the person in the picture is the North Korean soldier, ‘No. 1 Gwang-soo’, who masterminded the movement. The director traces the young man′s whereabouts based on the faint clues left in the picture. Amid the numerous photos that Ji Man-won presented as the basis for his claim, Gwangju citizens, who were suspected as ‘Gwang-soos’, filed a lawsuit against Mr. Ji. However, No. 1 Gwang-soo does not appear, and people do not remember him. The only thing they managed to recall from the vague memories was the fact that he was a ragman, Kim-Gun. The director approaches the truth gradually as interviews with numerous people and old data are closely compiled. At the end of the chase, what will we encounter? The directing power creating the tension is so great that we have to watch and hold our breath until the last moment. (Huh Kyoung) [23th BIFF Wide Angle]
90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴, 삼풍 백화점 붕괴, 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
