人声鼎沸的赛场中，正在进行一场激烈的男女混合双打比赛。虽然结果早已内定，但是男组一方的面具男M意外击败女组。为了避免老板追杀，他和搭档落荒而逃，临行之际还不忘捎上心仪的对手S女士的玩具人偶。趁着夜色，...

人手不足が叫ばれる中、ある人材紹介会社が注目を集めている。紹介されるのは、かつて不良だったという若者や、集団生活になじめず不登校になった若者など、地方出身の中卒・高卒の若者たち。「ヤンキー・インターン」という再教育プログラムで、営業のスキルを実践的に学ばせ、企業が求める人材に育て上げる。卒業生はおよそ300人、大手IT企業で活躍する若者も。「真っ当に働きたい」人生の逆転劇をねらう若者たちに密着。

写真家・長谷川圭佑が初監督した、儚く美しい女性同士の＜関係性＞を描いたオムニバス映画。明るくてクラスの中心的存在の少女といつもひとりで読書をしている少女を描く「Episode1 17歳と17歳」、自由...。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。                                                                      This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).                                                                      After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.